Gerrard/Ashdale (The Second Visit)

Before I even stepped inside its doors, Gerrard/Ashdale Library’s unique flair displayed itself on the sides of a concrete platform rising from the sidewalk. On this street canvas, an artist had painted The Taj Mahal, an elephant, a lotus flower, a woman, and a peacock. These lively images in the foreground provided a contrast to the classical building in the background, which embodied the solid assurance of a structure which has presided on this corner since 1924.

gerrard ashdalegerrard ashdale

When I first visited Gerrard/Ashdale a few years back, the upper story’s wooden beams and fireplace made a big impression on me. Thankfully, my second trip to the second floor didn’t disappoint. With five strong wooden braces and an inviting hearth, this large open room looked more like a fabulous attic in a C.S. Lewis book than an ordinary library wing. Enhancing the magic, a large textile art piece that sparkled with tiny mirrors hung from a brass rod above the mantle. On nearby shelves were resources in Urdu, Hindi, Gujurati, Bengali, and Chinese.

gerrard/ashdale

gerrard ashdale

The south wing of the attic housed the Children’s Section. I liked how the ceiling sloped at an angle towards the windows facing Gerrard Street, creating a garret atmosphere where a poet or a child could feel at home. A wooden puppet theatre was tucked under the low eave, and a chess game on the large table nearby waited for its players to return. I admired two skylights above and then sat down beside a round window which comprised most of the east wall. A butterfly mobile inches from my forehead, I gazed at Kohinoor Foods across Ashdale Street, where commerce spilled onto the pavement in the form of green milk crates stacked with purple and yellow onions, grapes, and string beans.

gerrard ashdale

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