Month: November 2011

  • One-of-a-Kind Merril Collection of Science Fiction, Speculation and Fantasy at Lillian H. Smith Library

    The Merril Collection sprang to life in 1970 when Judith Merril, a writer and activist, donated all of her science fiction books and magazines to the Toronto Public Library. Formerly called the Spaced Out Library (1970-1991), the Merril Collection now holds more than 73,000 items and “is the foremost North American public assemblage of Speculative, SF and Fantasy Fiction” (Sol Rising, January 2011, p. 16).

    Judith Merril (1923-1997)

    After I climbed the stairs to the third floor of Lillian H. Smith Library to visit the Merril Collection, I admired the way the shape of the room hugged the curve of the library’s central atrium.

    A few minutes later, I was warmly greeted by Lorna Toolis, Head of the Collection. I’m very grateful to Ms. Toolis, who took me under her knowledgeable wing as she walked me through row upon row of reference stacks that are home to an astonishing diversity of materials.

    To accommodate such a robust archive, the library installed compact shelves which can be manually moved closer together so that aisles between rows of shelving disappear at will. At one point during my visit, another librarian called out a warning that she was about to turn one of the silver wheels to move a shelving unit. (Providentially, no Collection Heads or library bloggers were squashed in this potential Temple of Biblio-Doom).

    Standing clear of the moving shelves, Lorna revealed the open secrets of an amazing collection. Her enthusiasm was contagious as she explained that she’d loved science fiction ever since grade 3, when she discovered a stack of books in her grandmother’s attic. A personal collector of science fiction since age fourteen, Lorna’s justifiable pride in the Merril’s scholarly legacy was tangible.

    I felt privileged to tour this special place. Along the way, I saw critical works on Batman and Buffy the Vampire Slayer, graphic novels, fanzines, anthologies, comic collections, rare magazines, games, artwork in map drawers, and material about UFO’s. There was even a shelf devoted to alien linguistics, a phrase I’d never heard before.

    Little Nemo in Slumberland by Windsor McCay

    One aspect of what made visiting the Merril stacks so special was the presence of so many fragile materials that might have disintegrated long ago if it weren’t for the constant temperature of 21 degrees and protective book covers that have prolonged their shelf-life. Lorna explained that most early science fiction books and magazines were printed on cheap paper and designed to be enjoyed and discarded.

    Part of the ephemeral world of popular culture in the first half of the 20th century, science fiction publishing wasn’t about leather-bound volumes, gilt pages, and other establishment frills. It didn’t put on literary airs or flounce about the canon with its semi-colons in the air. Instead, science fiction offered sensational art (in both senses of sensational) on the covers and wild times with robots, stolen bodies, flying saucers with eyeballs on the chassis, and an early feminist heroine, the Golden Amazon.

    The Central Intelligence by John Russell Fearn (starring the Golden Amazon character) in The Star Complete Novel for Saturday, August 22, 1953

    With so much difficult-to-find material, this unique collection is a magnet for international scholars as well as more local researchers, including writers like Margaret Atwood, professors, artists, illustrators, and students from high school or colleges such as OCAD. Lorna told me that there are patrons who come in to the facility just to read a rare copy of a book that would otherwise fall apart if it were in general circulation.

    Near the end of the stacks tour, Lorna led me to a cart loaded with treasures protected by white book folders that fastened with circles of velcro. She carefully unwrapped more than a dozen of them and then ferried these selected materials to the public reading area so I could take photographs of them.

    I was interested in everything Lorna showed me, but the artwork on the magazines made the biggest impression, especially this rare Amazing Stories edition (Volume 1, #1, April 1926).

    The covers of these editions of The Shadow also blew me away. When Lorna asked me which ones I wanted to photograph, I felt compelled to reply, “All of them!”

    As I was introduced to titles like Flying Saucer Rock and Roll and Dictatorship of the Dove, I gained a new appreciation for the unbridled creativity displayed by the genres of the Merril Collection.

    In addition, I loved how the Merril’s 19th century material enriched my understanding of literary history. For example, May Agnes Fleming’s The Baronet’s Bride “is retained as an example of early gothic melodrama, without fantasy elements, to assist researchers in the development of gothic fiction. . . . It was serialized in Saturday Night, beginning on 3 October 1868 and ran for thirteen weeks before being published in book form as The Baronet’s Bride or A Woman’s Vengeance” (e-mail from Lorna Toolis, 11/17/11).

    Vampire researchers also have plenty of material in the Merril Collection to animate them, including the first serialized vampire story in North America (1875) and a first edition of Dracula (1897) in its plasma-curdling yellow cover.

    Moving on to 20th century materials, I was charmed by this Armed Services edition copy of H. P. Lovecraft’s The Dunwich Horror, specially designed to fit in a soldier’s knapsack and provide mental escape from the real-life horrors unfolding around him.

    Finally, bringing images of horror, speculation, and fantasy to our doors in the 21st century, reading materials such as Sci Fi and Realms of Fantasy (among many others) are available in the reading area.

    Near the end of my tour, I signed the most imaginative guest book I’ve ever seen, which was hand-crafted by Toronto artist Robert Wu and donated by The Friends of the Merril Collection.

    For me, Wu’s art represents the lunar mystery of imagination, something which the Merril Collection celebrates and preserves. Previously, I had not been partial to most science fiction, speculation and fantasy, but this persuasive collection changed my mind!

  • Personal Holocaust Testimony of Denise Hans at North York Central Library

    Last week I listened to the personal testimony of Holocaust survivor Denise Hans at North York Central Library. A very large group of teenagers and adults filled the library auditorium, creating an audience five times the size of the Holocaust Education Week programs I’ve attended at Deer Park, Mount Pleasant, and High Park.

    The speaker explained that she started giving these talks four years ago. “I do it to pay homage to my mother. Without her, I wouldn’t be here with you today.”

    I’m grateful to Ms. Hans for modeling the courage it takes to share an excruciating personal account with strangers: “In 1942, after (Denise’s) father, aunt, and uncle were taken from her home and murdered, her mother sought places to hide her six children and two nieces” (31st Holocaust Education Week program booklet, p. 26). This stark summary cannot fully capture the experience of listening to Denise’s testimony in person. Her animated voice, the range of expressions on her kind face, and the vivid description of her childhood memories made her narrative of survival come alive in my mind.

    The fourth of six children, Ms. Hans was born in Paris in 1938. To this day, she remembers the colourful visors her mother used to sew on the brims of hats. She remembers her father’s delivery tricycle with its large box in the front (into which he’d put a couple of his children on Sundays and take them on an exciting ride around Paris). She remembers her regret over teasing her six year-old brother for having to wear the yellow star of David when she was too young to wear one. And she still remembers the first cries of her baby sister, Monique (who was born at home because Jews were barred from the hospital), even though Denise was only three and a half at the time.

    The speaker also recalled the grit and bravery her mother displayed after her father was taken to a holding camp. She managed to get a pass for her husband to visit home by setting her crying baby on a Gestapo officer’s desk, saying, “If you can’t let my husband out to support his family, then you take care of the baby.” The officer’s face became redder and redder as the baby’s howls set off a chain reaction of crying among her older siblings. “You can’t imagine what a huge noise and hullabaloo we made!” said Denise. The officer quickly wrote the pass and sent them on their way.

    When Denise’s father returned home, the children had to pretend he was a family friend. It was hard to remember not to call him affectionate names and address him as Monsieur instead. By this time, Denise’s aunt, uncle, and two cousins were living in the house, too. They planned to use the secret entrance to the attic and hide there in case they heard a knock at the door that wasn’t the family’s special knock. However, when the dreaded home invasion came in 1942, there was no time to hide four adults and eight children. A Nazi took all the adults except Denise’s mother away to the police station. They were never seen again.

    Denise’s voice shook when she said, “I was only four years old when my father was taken. Do you know that I can still remember every line on the Nazi’s face, but I can’t picture my father’s face?” And the sadness she felt for her mother, who lost multiple beloved family members in a single day, suffused the speaker’s voice as well.

    After the murder of Denise’s father, aunt, and uncle, her mother was the sole comforter and provider for eight children. She was only in her early 30’s. At night, the four youngest children were very frightened, so they crawled into bed with their surviving parent, each one claiming a maternal limb to hug all night long. Denise said, “The right leg was mine. I remember pressing my cheek against it for warmth. Everybody was so busy during the day that there was no time for hugs and kisses for the children.”

    Soon, Denise’s mother realized that she needed to find a hiding place for all the youngsters in her care, and the first of three locations she secured was at a farm house in the country. The farmer’s wife wasn’t kind to the eight children that she hid, and she cut off Monique’s beautiful blond curls because she falsely assumed she had lice. Worst of all, she didn’t give the children enough food. Denise’s mother realized that her children were starving after she arranged to have her youngest child visit her briefly in Paris. She gave the little girl some hot chocolate and cookies, and when a few crumbs fell to the floor, the child got down on her hands and knees and licked up the crumbs.

    A new hiding place at a second farm was found, this time with a more congenial family. However, the children had to be split up, and another sorrow for Denise was the daily task of scratching the legs of the new family’s teenage daughter, who suffered from a skin disease. “It was a disgusting job, I tell you.”

    A Sisters of Zion convent was the last war-time shelter Denise’s mother found for her children. By this time, the Nazis were not able to meet their quotas of Jews to fill the death camps because they had already rounded up so many. (One shocking historical fact that I learned from Ms. Hans was that the Vichy government made a deal with the Nazis that they would allow them to take the Jews of the unoccupied Free Zone of France in exchange for not bombing the monuments of Paris).

    For safety, Denise’s mother requested that the children be baptized. The Sisters took all six girls, and the boys were sent to an equivalent Catholic institution. “The Sisters were strict, but I enjoyed my time in the convent. I loved the pageantry of the masses, and I enjoyed Christmas and Easter.”

    In 1948, “les trois petites” (the three youngest girls, including Denise) were finally re-united with their mother. The older five children had returned earlier because it would have been difficult to support all eight right at the end of the war. “One day, the Sisters summoned us and said that we were going home because we had a new father. A new father? We were really surprised, but in those days children didn’t ask questions.”

    Determined to remove Christian symbols from his home and his step-children’s possession, Denise’s new parent tore up the “beautiful cards of Jesus that the Sisters gave me,” in an understandable reaction that nevertheless was a big “culture shock” for the ten-year old Denise, who had spent a good portion of her childhood in a convent. “We couldn’t complain, though. We were alive and his children weren’t.” She shared her feelings of regret that she not only lost her father but her mother as well during the war: “I was separated from my mother for six years. I’m still sad about this loss today.” As Denise Hans’ testimony drew to a close, I could hear crying in the audience for the child who had suffered so much grief, deprivation, and terror.

  • Andy Réti’s Personal Holocaust Testimony: The Triumph of Love

    “We are here to learn about the Holocaust and make sure it never happens again,” said Andy Réti to our group of thirty in the program room of High Park Library. Most of the audience were Grade 7 and 8 students plus a smattering of adults.

    Born in 1942 on a hospital floor in Budapest, Hungary, Mr. Réti was only two years old when the Nazis forced his family and neighbours from their homes at gunpoint on October 16, 1944. Then they were marched to an empty racetrack, where they spent two days sitting on the cold ground. At one point on the terrifying march, a blanket was thrown on the ground and everybody in the roundup was ordered to put their valuables on it. Andy’s mother Ibolya was determined to protect her wedding ring from these armed thieves, so she quickly hid it in the baby’s diaper. (One of the grade eight students in attendance gave a cheer when she heard this, a heartfelt sound of admiration for the mother’s quick-thinking act of defiance).

    After two days, the captives at the racetrack were elated when their captors told them they could return home. Momentary happiness turned to terror, however, when the Nazis opened machine-gun fire on the fleeing crowd. The young Mr. Réti, his mother, and paternal grandmother escaped the attack, only to endure a second roundup the same month (October, 1944).

    This time, the Jews of the city were forced to move into what became the Budapest Ghetto. Mr. Réti described how his family had to share an apartment building (capacity, 600) with three thousand people. He lived in a two-room apartment with twenty five others, including five children like himself. His first conscious memory of the Holocaust was the cold sensation of his friend Kati’s feet as they slept head to foot at the bottom of the bed. Andy and Kati’s mother were in the bed, too, and Andy’s grandmother slept on the floor. There were no toys to entertain the children, only stories which were read over and over again.

    In December of 1944, the Budapest Ghetto was completely shut off to the world: “Nobody came out except the dead.” Already extremely scarce, food became next to non-existent in the Ghetto. Réti’s grandmother hardly ate at all, saving what little she had for her grandson and daughter-in-law. “By this time, we were hungry all the time. When you’re that hungry, you can’t think about anything else but food.”

    Starvation formed the background for Andy’s second conscious Holocaust memory, which was eating a roll of brown bread after the Russians liberated the Ghetto on January 18th, 1945. In later years, his mother wrote a poem about this incident, describing her tears as she begged a Russian soldier for some food for her child.

    Mr. Réti never knew his father Zolti, who was conscripted into a Hungarian military labour battalion at the beginning of the war. Initially, it was reported that he died of typhus, but his son never believed this, for Zolti was a tall man and incredibly fit, a strapping swimming instructor. It wasn’t until decades after the war that Andy found out the truth: his father was murdered for having “the audacity to be a Jew.” A relative of Andy’s dad had tried to persuade Zolti to escape the labour battalion, but he didn’t want to risk it for fear of making his beloved wife a widow and his baby boy fatherless. More than six decades after the outrageous crime perpetrated against his father, Andy praised him as a “a martyr for love.”

    The triumph of love over evil was Mr. Andy Réti’s central message. He titled his talk “The Ring of Love” and shared with us the profound words of a friend: “Every Holocaust survivor’s story is a love story. It’s a story that celebrates love of life, love of family, and love of freedom.”

    Hatred or bitterness never overwhelmed Andy’s testimony, only love and the imperative to be “an upstander instead of a bystander. When you see something wrong, speak up! The Nazis were the biggest bullies in history. How differently would things have turned out if more people had stood up to them?”

    Andy Réti’s testimony at High Park Library more than fulfilled the purpose of the 31st Annual Holocaust Education Week, for we gained personal understanding and appreciation of the loving resilience of Andy’s family in the face of brutality. Like the student who said, “Yes!” when she heard the story of the wedding ring hidden in a diaper, I wanted to cheer for Andy, a dynamic individual who Rides (a motorcycle) to Remember and teaches future generations to say, “Never again!”

    Never this cruelty, never this monstrous disrespect for life, love, and freedom.

  • Generous Reception and Bio-Wall at Centennial College Library and Academic Building

    Although I arrived near the end of a 2011 reception in honour of Centennial College’s New Library and Academic Building (Progress Campus), neither the food nor the punch were entirely depleted.

    A catering student urged remaining guests and random students in the Commons to finish off the food: “Come on everybody — grab a napkin and eat up these sandwiches!” He made large crowd-gathering motions with his arms and added, “I don’t want to see any of this food in the trash.” At least a dozen students rushed to his aid, carting off double handfuls of pastry and sandwiches to their tables.

    Responding to the summons, I downed a lemon tart as I took in the busy scene of multiple study groups gathered in the open courtyard. Two floors above, glass-walled rooms devoted to communal study could be seen in the library: illuminated cross-sections of learning in action.

    Much as I enjoyed the bustle of library activity and the sleek new building, the main attraction was this living wall. When I first saw it, I wanted to sit at its roots.

    The wild elegance of an indoor vertical garden is a delight in itself, but this gorgeous bio-wall is more than a decorative feature. According to an explanatory leaflet, the wall-plants grow “in a synthetic rooting media . . . . Contaminated room air is drawn through the root zone of the plants, which acts as a biological filter, where pollutants are broken down by microbes into water and carbon dioxide.”

    I celebrate this generous wall that gives back to its community, quietly transforming toxins into fresh air while students tap at their keyboards. May the new bio-wall inspire calm and learning with its hopeful green presence.