It was a pleasure to share a paper-strewn table with seven participants who made collages on the theme of Equity and Inclusion. As we gathered, talked, cut, and glued, the discussion centered on how to apply collage-making to a variety of learning tasks, such as presentations, vision boards, and reflective practice.
In a post-workshop conversation, one participant kindly offered to share some thoughts about her collage:
Donata Ling’s Collage
It’s your differences that make you you.
For each day that I walk into the classroom, it’s important for me that each student experiences a sense of wonder like the expression of ‘Wow’ in the picture. Each student is on that journey to find wonder and curiosity, which is made possible by asking questions and opening oneself to others and the world. This is what I have done through my own experiences of ‘wandering off the beaten path’ and seeing the world in its splendor and beauty. After cutting out the landscape image, I discovered a shape – the human face. It’s there that you can discover the difference in each student – in their expressions and more importantly their story (Donata Ling).
Many thanks to all who attended the session! Your insights, engagement, and creativity enriched my day!
Highland CreekHighland CreekHighland CreekHighland CreekToronto Aquarium 2018Toronto Aquarium 2018Water Feature, Women’s College Hospital, TorontoLittle Rouge CreekBank of Little Rouge Creek
I want to heal from the damage caused by two nails that have pierced me. Over the years, they have twisted themselves into cracked pockets of bark, digging in, holding fast to their reluctant host.
“Brace yourself,” well-wishers advise. “Just grab those rusty bastards by the bent heads and rip them out. Then you’ll be free!” It is easy for others to say this, for they perceive the nails as separate and distinct from my flesh. They judge me for cleaving to familiar cruelties, the very devices that undermine my stability. However, these well-meaning friends haven’t experienced the worst legacy of violence, how it seeps into the body, infiltrating its cells and poisoning trust.
I miss the clarity of rage that met the shock of the first hammer blow and the next and the next. As each nail bit closer to the core in widening rings of pain, the idea that I had “asked for it” never crossed my mind. But I was young and did not anticipate how quickly righteous anger cools to self-doubt. Matching pain to resigned silence is a mistake that re-makes itself.
The man who held the hammer is long dead, but the nails he selected still insinuate, still ache. The memories sink more and more severely into my limbs each season, and their sharp points have come to seem as normal as shame. Although he never explained why he chose me to be punished, he was careful to convince me I deserved it. That way, I continue to self-crucify as he intended, a sadistic immortality.
The two nails drive his name deeper with every splash of rain on metal, every ice-storm that conducts cold into my veins. Yet without this Frankenstein map of ancient injuries, who am I? If I deny the splinters that have shaped me, how can I muster the audacity to be whole?
Dance as If a Skeptic and a Man in a Pocket Are Not Watching, Catherine Raine 2018Detail from Dance As If a Skeptic and a Man in a Pocket Are Not Watching, Catherine Raine 2018
The artist’s words about her collage: “It is about the difference between public mask and private reality. After the performance is over and the make-up is removed, what do you see in the mirror? Who are you after the glory? Maybe you are lonely.”
Collaborative collage, Catherine Raine and a student who left a partially-finished piece behind.Detail from “Be Open and Not Withdrawn”