After lunch with a friend last Monday, I enjoyed a windy walk on the shore of Lake Ontario at Humber Bay Park. Much to my delight, I discovered a spontaneous outdoor gallery on top of a boulder.
Anonymous artists had created a gathering of small inuksuit sculptures, and I loved how the waves had become co-artists, knocking some sculptures over and leaving others intact. Before I left the boulder gallery, I contributed an inukshuk of my own to say thank you.
This photo of an autumnal scene inspired a collage that emerged in spring.
Recently I offered a collage session to enrich an ESL textbook’s chapter about trash and recycling. I loved how the eleven international students in the class called on their creativity to transform magazines, leaflets, cards, calendars, old books, music scores, and stickers into individual works of art.
Resonating with Reese’s work for the Myseum exhibit, the objective of the YEARBOOK collage workshop was to support the creation of personal collages that explored related themes, such as memory, history, identity, and loss.
All art materials were provided, but participants were also invited to bring personal photos or copies of them. Almost all of the eight attendees came prepared with an engaging assortment of photos, beautiful stationery, fabric, buttons, and even driftwood and a glue gun!
I loved the communal hum of work and conversation that continued throughout the two-hour event. Together we hunted for just the right images when somebody would call out that they needed a picture of a dog or bright colours for balloons.
By the end of the afternoon, it was uplifting to see the gorgeous variety of collages that surfaced.
Thank you Scarborough Arts and Myseum for creating the conceptual and literal space for the YEARBOOK Collage Workshop! Making art with the support of these two organizations felt both meaningful and fun.
I loved these collages created by eight international students in an intensive English program. In addition to photos of the artwork, I’m including descriptions that the artists wrote to explain their individual collages. (Sending a big thank you to their instructor, Barb, for assigning and collecting the written work).
Once upon a time, Professor Monster lived in the house. Although he looked like devil, he like to use magic to help people. He hoped to improve their life, so he gave some rice, bags, and clothes to them. Finally, they were very happy.
Don’t believe in money. Believe in yourself.
This collage’s topic is Empty. Recently in Korea some intelligent young people think emptiness is an important problem. We use many objects. We have many goods, but we are empty for nature, for earth, for simple human life. Now this is Korea social trend.
My collage is about lovely story. Everyone have a dream about your ideal and everyone goes to his dream.
This animal is the woman’s pet. The woman is so happy because everyone has a dream for her son. Although the dream is very naive, it is like a diamond purity.
The old man in the small picture is the monkey’s conscience. He says, “Don’t worry. She (the doll) is crazy about you. Repeat after me, I’m the Best.”
Man: Hey girl! Look at me! I’m soccer superstar.
Donkey: No! Look at me! I’m the super donkey. Ha! Ha!
Penguin: You are really funny. I’m the super penguin. See me fly!
It is free and dream. Many people are not free because of work and life. “The world is very big. I want to see anything!” This sentence is a catchword in China.
Response to the Tapir’s Night Journey Downstream
Transitions define my body.
Look how the current splashes my legs turquoise,
the moon silks my chest,
and wild solitude cools my nimbus to blue, white, and lavender.
Behold the purple eye that guides my canoe down the Amazon,
riding the night rapids in a dream of passages, openings, and
And see how curving shapes in the dark transport me to waterways
that empty into wider and wider rivers
until the open Atlantic receives my vessel at journey’s end.