Category: Artwork

Last December I bought a painted wooden canvas that an anonymous person had donated to Value Village. After studying it, I decided to follow some of the patterns of the paint swirls, adding tissue paper, thread, dots of acrylic paint, and handmade papers to the canvas.

For example, the dark purple shape in the top left quadrant of the substrate suggested the eye of an aquatic creature swimming among waving pink fronds and flowery fragments. Black thread made the imagined form of the creature, now called Colourfish, more discernible.

To the artist who gave their canvas to Value Village, thank you very much for your generosity! If you had never lavished the board with violet, lavender, pink, green, and apricot paint, the Colourfish would have been deprived of the habitat most suited to its playful temperament.

I bought Philip and Stephanie Carr-Gomm’s The Druid Animal Oracle Deck  in 2008 in hopes of developing collage workshops based on animal teachings. My friend Ellen Jaffe, a poet and teacher, found the idea interesting, so we gave the deck a trial run at a yoga studio, each of us selecting a card at random without looking at the illustrated side. I chose Wolf.

After Ellen made her selection, we took turns reading from an interpretive booklet provided with the deck. From the section on Wolf, I learned that its keywords are “Intuition, Learning, (and) The Shadow” and that Wolf encourages us to honour “the inner power and strength you feel when you spend time alone” (p. 22).

Following a discussion of the teachings, I pulled out a folder of images that I had collected for the animals contained in the deck. Each animal had its own transparent sleeve full of pictures, and from Wolf’s sleeve I selected a few photos for my collage.

Having enjoyed our artistic experiment with The Druid Animal Oracle Deck in 2010, Ellen and I decided to offer a workshop called “Collage Your Animal Spirit Guide” at a music therapy facility in 2011. The session took place in Hamilton, Ontario and opened with all six participants selecting a random card. After reading aloud from the booklet about the selected animals, everyone received a set of pictures on which to base a collage in addition to backings, scissors, and a glue stick.

As we settled into our work one by one, minds humming in collective concentration, a silence like a seventh presence filled the room. After an hour of tearing, cutting, shaping, and gluing, we shared our artwork, celebrating each piece in turn.

Otter was my personal animal guide that day in Hamilton. According to Carr-Gomm’s explanatory booklet, Otter “invites us to play, to ‘go with the flow’ of life and experience — to become a child again” (p. 32).

To suggest flow and movement, I included swirling fish and active grasses. For playfulness, I gave the otters and their fish friend some red flower hats.

In addition to art sponsored by Wolf and Otter, seven other collages have been inspired by engagement with the Druid Animal Oracle Deck. After a gap of two years, I retrieved the deck when my mother was visiting me in Toronto. This time, Eagle rose up from the pool of cards laid out on my kitchen table. (Mom selected Hawk).

“Intelligence, Renewal, (and) Courage” are Eagle’s key words, and the booklet further asserts that Eagle “will . . . show you how to renew and rejuvenate yourself, by demonstrating the art of plunging — at the just the right moment — into the lake of the heart” (p. 24).

My eagle collage depicts a rare species of knitted raptor, a bird who is at home in the water as well as the sky. Much less predatory than its non-textile cousins, the knitted eagle enjoys a quiet life of introspection.

Several months after Mom’s visit, my friend Noreia and I consulted the animal spirit guides and made collages in a North York food court. This time, the card I picked belonged to Raven.

Raven represents “Healing, Initiation, (and) Protection,” and its message “may  . . . mean that we can come to a resolution of the opposites — experiencing that in darkness there is light, and in light darkness” (p. 20).

In my collage, three ravens consider life among the swirling patterns, discerning mysteries with their keen eyes.

A subsequent session with Noreia saw us spreading out collage materials and the deck on a large wooden table at Balzac’s Coffee Roasters. I chose Frog, whose key words are “Sensitivity, Medicine, and Hidden Beauty and Power” and who reminds us to “look for the beauty and the magic behind appearances” (p. 19).

Carr-Gomm’s booklet also states that Frog is “a companion of the rain spirits” who can “help you develop your sensitivity to others, to healing and to sound through your skin and your whole body” (p. 19).

Goose followed Frog as the next creature-collage inspired by The Druid Animal Oracle Deck. At Noreia’s suggestion, we auditioned a different wooden table at a new coffee shop for the session, and it proved to be a goose-friendly venue.

When I turned to the booklet’s page about Goose, I discovered that its main attributes are “Vigilance, Parenthood, (and) Productive Power” (p. 27). Additionally, Goose’s talent for attentive parenthood and soaring flight “shows us that it is possible to be both grounded and spiritual in our daily lives” (p. 27).

After Goose, Seal surfaced as the next animal spirit mentor during an oracle session that Noreia and I conducted at a home retreat.

Symbolizing “Love, Longing, and Dilemma,” Seal can “act as a guide and companion through the watery realm of the emotions and the Otherworld” (p. 40).

Cat followed Seal to serve as a guide in the series, and Carr-Gomm’s booklet explains that “Cat brings us the ability to observe situations quietly, without judgment, before making decisions” (p. 17). 

For Flying Flower Cat, a calm and grounded mind provides the ideal springboard for flight.

Finally, Salmon has been the most recent educator chosen from the deck, but other animals patiently wait for their turn to advise. As for the nine creatures who arrived from 2010 to 2016, I’d like to express my gratitude to Wolf, Otter, Eagle, Raven, Frog, Goose, Seal, Cat, and Salmon for their energizing insights and creativity!

2022 Update

Salmon’s collage is dedicated to the memory of Ellen S. Jaffe, who loved consulting The Druid Animal Oracle Deck and making art in community.

Illustrated by Bill Worthington

As the oracle deck’s booklet relates, Salmon responds to upstream challenges with “wisdom and inspiration” (p. 30), and Ellen exemplified this spirit when she wrote poems about living with (but not being defined by) cancer. Like Salmon, she created an arc of beauty in adversity: turning to the sanctuary of art, reciting poems in her head during scans and treatments, and imagining the counsel of her late father, a doctor.

Seized by Loss, Catherine Raine 2016

Ellen died the day after her 77th birthday, cocooned in a cycle of return to her “beginnings . . . and perhaps beyond” (p. 30). While she was here with us, Ellen inspired, encouraged, and connected hearts with her poetry, activism, counseling, teaching, mothering, and friendship. For example, after hearing news of my grandmother’s death in 2008, Ellen introduced me to the phrase, “May her memory be a blessing,” explaining that it is a Jewish prayer to comfort the family of the deceased. Her compassionate words consoled me then and return to me now with a message of solace.

Ellen’s example shows what it means to live a life that blesses others, and in her legacy “lives the dearest freshness deep down things” (G. Hopkins’ God’s Grandeur, 1877) that soften the pain of loss. Ellen, thank you for being my friend and mentor. Your memory blesses, has blessed, and will bless us for generations.

To create this effect, I repeatedly placed an ink-loaded paintbrush at various points at the top of the canvas. Then I tilted the canvas upright to allow the rivulets of ink to create their own pathways on the way down. After the vertical lines dried, I turned the canvas and repeated the process in order to create the intersecting horizontal lines.

I liked how the ink lines had made folksy quilt-like boxes, so I added colored papers to highlight the patchwork shapes.

The spontaneous blending of the streams of ink as they met each other motivated me to select transparent papers for the collage. Not wanting to cover the ink tracks, I chose papers that would show off and interact with the colors resting underneath them.

I hope you enjoyed Ink Drip Patchwork! I highly recommend trying this fun art process.

A mosaic of stones, coins, and jewellery had been growing in our front garden box since May, but it wasn’t until late August that the idea for a heart border took root. Heart-shattered by the hatred in Charlottesville that led to the death of Heather Heyer on August 12th, gathering these shards and bits of ephemera into a positive shape helped raise my spirits. A couple of weeks after the August mosaic-shaping, I was in the process of adding more buttons and beads when my neighbour and her four young daughters came over to look at the garden heart.

Hoping that mosaic-embellishment might be entertaining for the children, I entrusted them with my box of decorations and went to fetch some glue. I was very grateful for the girls’ collaboration, for thanks to their sowing of beads, bedazzling of flowers, and gluing of googly eyes, the heart mosaic became more alive. Before taking off for a dinner engagement that evening, I went back inside the house to gather more supplies and offered them to the girls for their own outdoor art. By the time I returned from the outing, a box of soil containing the gorgeous composition below was sitting on my neighbor’s lawn.

The following morning, a Saturday, the outdoor mosaic theme continued to evolve with the same box showcasing a new arrangement and the words Peace and Love.

The children’s artwork affected me deeply, and I found myself wishing its creative faith could dissolve destructive ideologies once and for all. What if a box of dirt, flowers, and love could reach people like the 45th president who lean dangerously towards fascism? No matter their current spiritual condition, a Peace and Love Art Box could remind them that once, long ago, they might have lovingly spelled God’s name on a leaf with glue or promoted peace with pebbles, paper flowers, and pennies.

What stops humanity from planting love instead of hate when heroes like Martin Luther King Jr., James Chaney, Michael Schwerner, Andrew Goodman, Medgar Evers, and Heather Heyer paid for Love’s truth with their lives?

Windwork and timework / have spun gossamer threads from / discarded old bags.

Beyond the limits / of material concerns / a dream-sky opens.

This photo of an autumnal scene inspired a collage that emerged in spring.

In this collage series inspired by sea and river voyages, shipwrecks tilt on the ice, abstract shapes go swimming, and an arctic hare chews on a twig. Meanwhile, a famous Norwegian explorer inhabits a turnip-shaped kayak, and a tapir chooses a canoe for his journey downstream.

(This collage has a poem to accompany it!)

From the depths of keepsake piles in my mother’s house emerged a Father’s Day card and a birthday gift that I made in the 1970’s. The inside of the Father’s Day card contained a car and some of my thoughts.

The Father’s Day message became the centerpiece for a recent collage in his honor.

The second piece of 1970’s ephemera was a birthday gift for my dad. It was a hand-taped envelope made from lined notebook paper that contained watches that I’d cut out from magazines.  (The coffee stain is original).The long-ago selected watch photos and text from the card inspired a second collage for my father.

Dad, thank you for keeping the cards that I made for you so many years ago.  And thank you most of all for being such a fun, supportive, and loving father. I miss you!