Category: Photography

  • Up All Night in Berlin: April 1990

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    Photo by Bart Jones, 1990

    When the Berlin Wall fell in November of 1989, I had recently arrived at the University of Durham for a junior-year-abroad experience. In April 1990, I flew from England to West Germany to visit my friend Bart, a fellow sociology major from a small college in Missouri. After a few days touring Heidelberg, we took a train to Berlin.

    Unprepared for the shortage of rooms in this swelling city, Bart and I had to spend our first night in bunk-beds at the train station’s BonHof mission. My pocket-sized journal (slightly edited for clarity) tells the story of the following day and its endless night, starting with a visit to the remains of the Berlin Wall and ending up in East Germany on the steps of the Berliner Dom.

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    Photo by Bart Jones, 1990

    April 10-11, 1990

    Early morning Berlin contains East Germans toting piles of DDR currency, Polish people stockpiling electronic goods, Turkish men selling pineapples and kiwis, and Americans chipping at the Berlin Wall with chisels. A Turkish boy gives Bart and I bits of the wall and then climbs behind it to collect more fragments.

    I see an East German flag with its communist sickle as we walk beside the wall from Potsdamer Platz to Tiergarten. Foreigners have spray-painted “Fuck the Poll Tax” and “And the Wall Came Tumbling Down” on the vertical concrete. There’s a Roosevelt quotation about glorious victory in neon orange, and someone has crossed out Gorbachev in “Thank-you, Gorbachev” and replaced it with Reagan’s name.

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    Photo by Bart Jones, 1990

    After shuddering at the sight of Hitler’s bunker, Bart and I duck through a hole in the wall and attract some negative attention from an East German guard, who barks “Raus!” As he approaches on his motor bike, scattering the Americans along that part of the wall, it suddenly seems a good time to go admire the Brandenberg Gate. Afterwards, as we walk east along Unter den Linden, we see Soviet tanks by their embassy and a muscular Russian soldier on top of one of them.

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    Photo by Bart Jones, 1990

    The monument with gold Germania on top attracts us, so we climb it, first looking at the mosaic on the middle of the column. Once we recover from the vertigo caused by climbing so many narrow steps, we take in the panorama of Berlin at the very top. Then we clomp down and Bart goes off to the bathroom, leaving me on the steps to comb my hair and play with the ants in the sun.

    As we pass statues of Goethe and Bismarck, I start to worry aloud about where we are going to sleep that night. So Bart goes into a phone booth to call an acquaintance who is living in Berlin. Maybe we can sleep on his floor. Surely he knows how desperately crowded the city is and take pity on us.

    While Bart is trying to secure shelter, I wait on a nearby bench. Suddenly, an agitated American matron in a multicolored Day-Glo jacket comes out of another phone booth and gestures at me wildly. She shouts, “Do . . . YOU . . . speak  . . . ENG . . . lish?”

    Eager to  help, I say “Yes, I do” and go over to her booth. She hands me the receiver and commands: “Tell . . .  HIM . . . the . . . po . . . LICE . . . have . . . TAK . . . en . . . a . . . WAY . . . my . . . CAR!!!”

    So I take the phone and obediently repeat, “The police have taken away her car.” Laughing and mad at the same time, she yells, “No, not in English! In German!”

    The story of my mishap cheered Bart a little, but he was shaken by his friend’s refusal to host us. Eventually we had to just stay up all night, roving from McDonald’s, to Burger King, back to McDonald’s, then to the underground and finally the bus. We bought milk, hot chocolate, and small packets of fries to give us the temporary right to stay in the restaurants.

    The moment we accepted our sorry condition, we started laughing on a bench outside Kaiser William’s church. Our plight was so hilariously dire that I lifted my legs straight out in front of me, shrugging with my whole body. We considered what we would do for a bed. Sex? Work? Anything. A drunk man lunged at Bart and I. We attracted crazy men, forlorn Poles, and troubles.

    The only sleep we got that night was from one thirty to three thirty on the top deck of a bus. We ended up all the way over on the western edge of Berlin, bouncing over cobblestones and deserted roads, while I tried to keep my head on Bart’s shoulder. We had no idea where we were when the bus officials forced us off, shouting “Raus!” and banging on the hand rail leading to the top level. We were spinning into utter darkness without any orientation, comfort, or security. Waiting at the bus stop were three men who remarked on us dryly in an unknown language.

    At four o’clock in the morning, we clambered back on another bus. We rode back into the the city, entering a morning world hidden from tourists, the routine of commuters before sunrise. Lonely and shapeless, they waited by the stops in the cold, sleeping on the U-Bahn after they boarded. Watching them loll in their seats, I felt sympathy for sleepy, vulnerable humanity. I wanted to give them all a big blanket.

    Bart used his military ID to get on the underground, but I rode illegally and felt guilty. Masses of people were going to work before six in the morning. At an S-Bahn station, I tried to freeze the scene in memory —  the sun not yet risen, people in dark jackets gathering on the platform, smoking, yawning. They get on the train and slump over, not caring to impress, stable in the aftermath of war, just riding a train without fanfare.

    I welcomed the sunrise with profound relief, and my gratitude for the dusky, snowy dawn made it all the more beautiful. Around seven, after purchasing some chocolate and a croissant (silly me saying “oui” to the lady), we took the U-Bahn to the one East German underground station that is open to the West. The route gave us a view of the East German part of the U-Bahn which had lain in disuse since the war. Bomb damage was still evident, making the empty station booths looked haunted. It was something out of a childhood nightmare — endless empty corridors, dusty and lost.

    We rose and went up the stairs to the exit, emerging into a 1950’s world as we joined a stream of people going to East Berlin. Waiting to present our documents, we stood in a corner eating croissants and chocolate, me getting crumbs in my hair. Then we reached passport control, where I paid the ritual 5 marks. (In the past, an American would have had to purchase 25 East German marks and spend them in East Berlin). The line moved quickly. Soon we passed through another maze (like a haunted house, only lit), got our day passes checked, and Lo! we were in the East. Exhausted, we stepped out into the cold morning.

    Since most of the museums didn’t open until ten, we wandered around the shopping area for awhile. We studied shop displays that seemed out of date, contrived, sorrowful, the dresses like relics from an old Sears catalog. Why did the shops make me sad? Maybe it was their emptiness, lack of color.

    Spacious East, room to be alone because the people are not shopping. Yet there was a Bigfoot jeep on display, reminding Bart uncomfortably of his Ozark hometown, where masculine egos demand such rugged vehicles. People gathered round to stare at the monstrous four-wheeled beast.

    We then turned toward the big glass train station, which looked elegantly Victorian from a distance but up-close seemed militaristic, iron-girded and massive. We went lower and lower into the underground, seeking warmth. Shivering, we made a huddle on a high wooden bench, waiting until nine thirty when we could emerge in search of tea.

    After about forty minutes, we left our temporary burrow and crossed the square again by the Bigfoot. We went to one shop, but it had no tea. At the next one, our entrance changed the atmosphere. The waiter turned with a smile on his face as the door opened, but when he saw we were Westerners, his happy blue eyes went cold. All the East Germans seated in smoky camaraderie and warmth stared at us, so we left without ordering anything. It was an unhappy awakening for me that people could tell I was Western just by the way I dressed. I had always prided myself on my poor fashion sense, but Bart pointed out how expensive my purple raincoat looked and the confident message my bright yellow scarf sent.

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    Photo by Bart Jones, 1990

    We sat outside in the cold once more, lamenting our outcast state. We were very cold from the unfriendly treatment and the weather, but a grocery store offered diversion until the museums opened. The aisles were huge and the carts incredibly small. Bread was freshly made and lay unwrapped on the shelves. There were no brand names. The few Western items, such as jam and crackers, were priced very high, but the rest were very cheap. Huge sausages, candy, and tins of fruit were available. They wrapped their purchases in blue paper.

    Outside, a female employee of the store chased away three young Polish men who were lounging near the entrance. They seemed scared of her — she was quite big and threatening. One tried to bluff and joke with her but the other two were like, “O.K. We’re outta here.”

    When ten o’clock finally came, Bart and I walked to the Berliner Dom, where we sat on the steps and ate marzipan. Swooning and unbalanced from lack of sleep, we then toured some of the cathedral (the main part of it wasn’t open). Ornate gilded woodwork impressed us, along with a marble staircase and rich brown marble columns.

    Framed photographs on the gray marble walls showed us what Berliner Dom used to look like before the war and then after bombs had struck. The dome smoked. Many days later, this image reappeared in a nightmare. My dream self was looking out the upstairs window of my childhood home in Missouri. The window frame was smoking and I could see the Brandenburg Gate on top of the Lambda Chi fraternity house, all in flames.

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    Photo by Catherine Raine, 2014
  • Laundry Meditation

    IMG_8548On a washing day, I place the white basket on the patio table, move the line into position, and grab some single socks. As I administer the stability of clothespins, I relish the sun on my face and the breeze that moves the tall thistles and Queen Anne’s lace.

    My hands attach the socks, shirts, towels, and pajama bottoms to the line, connecting me to a pre-electric time when the sun’s rays were not considered eccentric alternatives to the dryer.

    IMG_8549Full of solar gratitude, the pulley and I send the clothing further down the line, deeper into the garden, unfurling my sails for the wind to catch them. I scootch the entire set of washing as far as I can, until the first sock is almost touching the top of the plants. Each time a new garment is pinned, it makes a great launch into the unknown, pennants of the sky meeting green messengers of the earth.

    IMG_8561Task finished, I stand on the deck to admire the animated line, smiling at the dance of billowing cloth that the wind creates as it plays with pant legs and flowing hems. As I observe the moving shadows cast on the grass below, I breathe the scent of summer warmth that the laundry will later hold in memory, releasing sunshine on thankful skin.

  • Magic Door in Kew Gardens, Toronto!

    As I was walking through Kew Gardens, the sight of this wee door at the base of a tree astonished me!

    IMG_7056Who made the door? And why?

    IMG_7068IMG_7062IMG_7064IMG_7045Who arranged the offering of twigs and leaves?

    IMG_7039IMG_7084To thank the tree, I placed two quarters on the spontaneous shrine, still marveling at the fairy-tale door.

    IMG_0688 By the time I saw the chamber again more than a year later, the story of its magic had evolved. Astroturf now covered the dirt floor and a new vision of the world outside the door had been created.IMG_0695With a sturdy vehicle, a stone wall, a compass, a sign, and a campfire, this self-sufficient village can confidently weather the challenges of a busy Toronto park.

    (Note: a few months ago, I read a newspaper article that solved the mystery! The door serves as a literary backdrop for Henley the Hedgehog, the star of three children’s books by Sharon Douris.)

  • Smalls Creek and Hollow Tree by Taylor Massey Creek

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    Smalls Creek, Williamson Park, Toronto
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    Smalls Creek, Williamson Park, Toronto
    Hollow tree on bank of Taylor Massey Creek, Scarborough
    Hollow tree on bank of Taylor Massey Creek, Scarborough
    Hollow tree on bank of Taylor Massey Creek, Scarborough
    Hollow tree on bank of Taylor Massey Creek, Scarborough
  • Think About the Pink Sink

    A pink sink appeared on a neighbour’s lawn, and I took a picture of it.

    IMG_5279Two weeks later, I noticed some changes in the rejected sink’s appearance, and its new look inspired a short reflection.

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    Pink Sink Reflection

    The weight of the pink basin is no match for the power of grass. It only takes two weeks for hundreds of green blades to hoist their pastel burden high and tilt it to one side. In a similar show of strength, dandelions find outlets through the three holes, pushing aside ghosts of faucets past.

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    Where hot and cold water once rushed through pipes, new stems flourish wild, breathing spring into the openings that people once controlled. As fluffy seeds unfurl with defiance, they celebrate the natural disobedience of plant life.With insouciant flair, these so-called weeds seize every opportunity to grow, and they do not apologize for it.

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    Dandelions, thank you for challenging human assumptions. By threading yourselves through a discarded basin, you teach us what matters: surviving, finding a purchase, and overcoming obstacles that seem crushing at first. Your genius and grit create beauty in unexpected places, inciting resistance to perfect lawns policed by frowns.

  • The Name in the River

    Window Art by Natu Patel, Humberwood Library
    Window Art by Natu Patel, Humberwood Library

    She kneels before the river,

    the ankles of her snow boots resting on the bench-edge.

    Beside her, The Lightning Thief, three mysteries, Brave,

    and a packet of cheese crackers make a small tower.

    Window Art by Natu Patel, Humberwood Library
    Window Art by Natu Patel, Humberwood Library

    Ignoring the crackers,

    she watches the deer who sniffs the air for danger

    before dipping its head in the river.

    She wants to swim downstream in grey and blue

    where the water’s wild direction drops from sight.

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    Window Art by Natu Patel, Humberwood Library

    She turns to watch the librarian busy with the Holds cart

    and then etches the name Alia into the river with her fingernail.

    Alia knows it is not allowed,

    but she obeys an inner devotion

    to a moving sanctuary, an altar of water.

    Alia writes her name in the river

    because it calls her daughter.

    Alia dives into her river,

    ancient gills awakening to underwater life.

    The river’s name is Alia

    and it carries the kneeling girl home.

     

  • Trash Bunny’s Worst Christmas

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    Lost animal of Christmas past,

    with faded felt belly

    frozen in grief to the sidewalk.

    Floppy ears conceal eyes

    too ashamed to face

    the ashen depth of the fall.

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    Deprived of a sheltering black bag,

    she lies exposed, less than garbage.

    Discarded cords, old homework,

    and a Disney Store bag from 2007

    press against the slack form on three sides.

    Her tired pelt casts shadows on jigsaw mats

    that are not useful, not even fun.

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    Who used to love you?

    Who tossed you aside?

    Who remembers the morning

    your child shredded the wrapping paper,

    (decapitating a dozen printed snowmen)

    and grabbed you from the box

    hugging you with aggressive joy?

    Where is your former perch

    on a bunk bed or cedar chest?

    You never chose this street, this corner, this end.

    Nobody asked if you were done with love.

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    When I see the patchwork bow on your neck,

    my ribs tighten in pain.

    The pale hearts, flowers, and stripes

    in green, yellow, and a hint of purple

    are too faint to palliate

    this heap of hopelessness.

    But the colours found me, your witness, your friend.

    Let’s sit together until the truck comes.

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  • The Algo Mall Ruin at Elliot Lake: Reflections of a Concerned Visitor

    Ever since a friend introduced us to the northern beauty of Elliot Lake and its surrounding forests two years ago, my husband and I have taken several trips there. After our first visit, I even wrote a blog post about Elliot Lake’s library situated in the Algo Centre Mall.

    On June 23, 2012, part of the Algo Centre’s roof collapsed, crashing through two floors of the mall and killing two women. The news shocked and disturbed me, especially when I considered how often we had shopped in this building and how my friend used to spend countless hours in the food court working on her laptop. Before the mall collapsed, my faith in the safety of structures like the Algo Centre was intact, but now that conviction feels shaky.

    Earlier this year, my husband and I had discussed another visit to Elliot Lake at the end of the summer. After the tragedy, we weren’t sure if we still wanted to go, but in the end we stuck to our original plan in hopes that our tourist dollars would help the community.

    On a hot afternoon last Saturday, Stewart and I lunched at Jane’s Tea Garden, a cafe and gift shop that faces the fenced-off hill that marks the edge of the Algo Centre’s property. As I ate my soup and salad, I saw at least eight people, some with large cameras, climb up the stone steps that stopped abruptly at the tall fence bordering the mall and its parking lot.

    After lunch, I bought a pair of sneakers from Tin Can Alley (a few doors down Ontario Avenue from Jane’s Tea Garden) and then walked up the stone steps that the other tourists had recently ascended. I stopped in front of the “Danger! No Trespassing” sign and looked beyond it to the ruin of the mall. It didn’t seem right to snap photos of such devastation, so I left my camera in my bag.

    I felt a little queasy from the heat and the way the twisted metal and concrete debris reminded me of the fallen Twin Towers and pictures of Joplin, Missouri after last year’s tornado. Nevertheless, I wanted to get a clearer view of the collapsed mall entrance, so I walked a few paces west.

    I tried to take in the scene in its entirety, but it was difficult. My eyes kept locking on stray details like the five shopping carts I could see in the foreground and closer to the entrance. It was like a grim game of I Spy:

    I spy one of the carts fallen on its side and another one full of thick silver wires pulled from the rubble. Two more carts have been tossed into piles of debris in the parking lot, and the last one I see is upright and empty, a ghostly reminder that this place used to be a busy, normal site of commercial activity.

    When I look at the carts, I remember buying a purple paisley blouse and two towels from the now silent Zellers two summers ago. I used one of the towels to pad an epic sprawling-on-a-dock session by a lovely lake, one of my favorite memories of northern Ontario. And the Foodland where we bought picnic supplies — apples, petite boursin, juice boxes — is now a reeking horror of rotten food that has had two months to putrefy.

    From my position upwind of the grocery store, I was spared the revolting smell, but I still felt slightly nauseated and shaky. The disaster site put me off-kilter, and a vague sweaty headache pulled at my consciousness. In my gut, I sensed a pocket of emptiness in the shape of a fist. The fist was the color of hot rust, its knuckles outlined in red.

    Although I didn’t personally know the two women who died in the collapse, the tragedy of their passing exposed my own grief over recent and past losses, for the presence of Death collapses identifying boundaries such as the cause of death, the location, the time elapsed, and social proximity to the victims. The people who lost Doloris Perizzolo and Lucie Aylwin two months ago at Elliot Lake are hurting like me when I lost Dad, Grandma, Jenny, and Eric.

    Looking past the rubble to the mall itself, I was struck by the naked chaos of the twisted, ragged hole where the mall’s entrance used to be. I looked at it in disbelief and wondered if I should be witnessing a building in such an exposed condition. Maybe that was why I didn’t feel right taking pictures of the ruin. The mall looked vulnerable, literally stripped to its bare skeleton, showing square frames upholding nothing save a few exposed wires where solid walls once stood.

    The entrance was a peeled and ragged maw of emptiness, a grimacing face on which silence rests because nobody knows what the hell to say. And behind that useless portal lay a crime scene, its rotting contents a nauseating metaphor for the neglect that led to the collapse. A traumatized and traumatizing building with memories of shock, fear, flight, injury, and death.

    I think about the library on the second floor of the mall. It wasn’t far from the lottery booth where the two victims died. I remember the quilt on the wall, fishing rods for rent, a mural, and a large French collection. All part of the rubble now. (Elliot Lake plans to open a new library not far from the mall at White Mountain Academy).

    For comfort, I turn away from the ruin and walk back down the hill to study the shrine. Although it sits in the shadow of destruction, decay, and collapse, the memorial display is an attempt to lovingly respond to senseless loss. The shrine’s candles, Inukshuks, teddy bears, flowers, and angels testify to a heartbroken town’s courage, community strength, and its refusal to forget. Elliot Lake, I’m holding you in my prayers as you wrestle with grief and seek the light of justice.

  • Beauty Never Dies at the Desert Botanical Garden, Phoenix Arizona (Journal Entry for May 3, 2012)

    As I write on a slightly rickety table beside the snack cart, I’m enjoying the shade and moving shadows of a tall tree. The same waving branches that are making patterns on these pages recently hosted a rock pigeon, but it has flown away.

    I’m taking a rest after almost two hours of desert trail-walking. Funny how the landscape didn’t really reach me at first, but before long I lost my heart to its wildflowers, lizards, hummingbirds, and flowering cathedral cacti.

    As I made my way along the Desert Wildflower trail, the Desert Discovery Loop, and the Steele Herb Garden, fragments of lectures and conversations shimmered briefly, the fluttering of unseen wings in the leaves.

    Tap Root.

    Burrow.

    Nest.

    Lizard!! Lizard!!

    “Would you like a picture of this cactus for your power point presentation?” (Father to his young son)

    In the Desert Garden, I saw a multitude of memorials on benches, chairs, fountains, trees, and walls. There were even memorial drinking fountains (a lovely idea). However, I was looking for a special one, a plaque in memory of a Toronto friend’s beloved parents. And when I finally found it, I felt connected to my friend’s family and their shared memories of the Garden. It didn’t seem to matter that I never met them. They had walked these paths before and enjoyed the beauty that I was seeing.

    I studied the plaque for a long time, growing sad and thoughtful. But the more I reflected on the inevitability of loss, the more I felt strangely comforted at the thought of all the people who will visit this gorgeous sanctuary long after I have had my mortal turn. The Desert Garden is an embodiment of faith, for in this place, love, memories, and the creative earth continue to flower and flower, tapping deep roots of Beauty that do not die.

  • Generous Reception and Bio-Wall at Centennial College Library and Academic Building

    Although I arrived near the end of a 2011 reception in honour of Centennial College’s New Library and Academic Building (Progress Campus), neither the food nor the punch were entirely depleted.

    A catering student urged remaining guests and random students in the Commons to finish off the food: “Come on everybody — grab a napkin and eat up these sandwiches!” He made large crowd-gathering motions with his arms and added, “I don’t want to see any of this food in the trash.” At least a dozen students rushed to his aid, carting off double handfuls of pastry and sandwiches to their tables.

    Responding to the summons, I downed a lemon tart as I took in the busy scene of multiple study groups gathered in the open courtyard. Two floors above, glass-walled rooms devoted to communal study could be seen in the library: illuminated cross-sections of learning in action.

    Much as I enjoyed the bustle of library activity and the sleek new building, the main attraction was this living wall. When I first saw it, I wanted to sit at its roots.

    The wild elegance of an indoor vertical garden is a delight in itself, but this gorgeous bio-wall is more than a decorative feature. According to an explanatory leaflet, the wall-plants grow “in a synthetic rooting media . . . . Contaminated room air is drawn through the root zone of the plants, which acts as a biological filter, where pollutants are broken down by microbes into water and carbon dioxide.”

    I celebrate this generous wall that gives back to its community, quietly transforming toxins into fresh air while students tap at their keyboards. May the new bio-wall inspire calm and learning with its hopeful green presence.

  • Purple Gratitude Sheet at Dancemakers

    It was my turn to DJ our six-woman dance circle last month. When I arrived at the Dancemakers studio, I put a king-size purple sheet on the floor near the windows. The sheet became our canvas for the session’s theme: Dancing in Quiet Gratitude.

    In my music set, I included a number of songs that held the light: “Thread the light” (Glen Hansard’s “This Low”), “There will be a light” (Ben Harper and the Blind Boys of Alabama), “There’s still a light that shines on me” (“Let it Be”), and Brian McMillan’s encouraging lyrics in “Let the Darkness Go.”

    I invited my fellow dancers to decorate the purple sheet in response to the theme of gratitude. Wielding small bottles of neon fabric paint, the four of us filled the sheet with words and images of what makes us feel thankful: rivers, voice, movement, bosoms, silliness, mistakes, great-grandmothers, grandmothers, mothers, daughters, safe girls, spirit, breath, the forest, laughter, rocks, fierce winds, night, moon, kindness, creativity sheets, raindrops, flowers, hope, fire, goldfinches, fierce goddess, play, community, beauty, thunder, food, wild grasses, health, smiles, art, ocean, a tomato, You, a foot, refreshing tears, music, and lightning.

    Over the course of the two-hour music set, the purple sheet’s function evolved. At the beginning, it operated like a picnic blanket on which to gather and discuss the theme of the session. When the music began, the sheet was a connecting fabric; all of us were lying on the floor with some part of us touching the sheet, whether it was only a head or an entire body curled up on it.

    As the dance progressed, we crouched at the edges of the purple canvas each time we felt inspired to write or draw. Then we advanced to fill the centre as we moved more deeply into the set. Towards the end of our time in the studio, I started squirting fabric paint at random, and soon we were all squeezing the bottles and giggling as blobs of paint rained down on the sheet without restraint.

    While we were collaborating on our modern art experiment, Brett Dennen was singing “Blessed is this life, and I’m going to celebrate being alive,” and we honored the spirit of his lyrics with our ecstatic paint-dance.

    When the music ended, we formed closing circle with the painted sheet in the middle, and each of us named the images that caught our fancy (it was the tomato for me!). Then we ceremoniously folded up the sheet with the fabric paint still wet.

    After I got home that night, I had to peel the sheet apart! There were plenty of smears and blobs, but most of the words and pictures remained clear. I hope you enjoy looking at the Purple Gratitude Sheet as much as we enjoyed making it!

  • Churchill Library on a Day of Lakes, Gourd-Banjos, and Romance Novel Heroes

    Not far from the shores of Lake Simcoe, there’s a town where you can visit a small community library or make a banjo from a gourd.

    Let me explain.

    Last Tuesday I accompanied Stewart to Churchill (near Innisfil), where he was attending a banjo-making workshop run by Jeff Menzies. While Stewart was busy in Jeff’s studio, I spent the morning beside the lake and the afternoon at the Churchill branch of Innisfil Public Library.

    One of four branches of the Innisfil Public Library system, Churchill’s small size, leafy setting, and friendly staff reminded me of the library in the small town where I grew up in the Midwest. And just as my mother used to take my brother and I on weekly library visits, several Churchill moms brought their kids to the local branch on that Tuesday afternoon. One mother-daughter pair arrived with bicycle helmets and awesome summer reading habits, for the mom talked her child into hurrying with the words: “Come on! We’ll be back tomorrow!”

    I could see why Churchill patrons would want to be regulars at such a welcoming branch. The librarian had reading suggestions for the parents and stickers for the kids, all of whom she knew by name. In addition to a row of three computers with Internet access, there was a nook reserved for children who wanted to play computer games.

    With limited space upstairs, the basement was devoted to children’s programs. The librarian told me it was a “work in progress,” but I liked the lower level’s simplicity. It resembled the Baptist church basements of my childhood where I ate potluck suppers on metal chairs and sang about Zacchaeus in a Sycamore Tree and Jesus having the Whole World in His Hands.

    I returned to the main floor to see if there was a French or multilingual collection. Although I didn’t find any foreign language offerings, I did notice a feature that the Toronto Public Library system lacks: a Reacher.

    In the Romance section, I further noticed a certain Lord Lightning. This rakish character needed no Reacher to gain access to an alluring shoulder (unlike his less sexy peers, Lord Smog Advisory or Lord Drizzle).

    I wish to extend my thanks to Lord Lightning and the staff at Churchill branch for making my afternoon in their lakeside community so enjoyable!